保存到浏览器  分享

关于在短时间内的某几个人的经过

别名:guanyuzaiduanshijianneidemoujigerendejingguo
  • 地区:法国 类型:剧情 上映时间:1959 豆瓣评分:3.0
  • 语言:法语 状态:更新HD中字电影 - 免费在线播放
  • 导演:居伊·德波
  • 主演:众多明星
  • 更新时间:2025-05-19
 分享

剧情介绍

欢迎观看由众多明星等演员主演的《关于在短时间内的某几个人的经过》 Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s. 关于在短时间内的某几个人的经过在线播放高清视频资源由hz免费影视[www.jhqcn.com]收集整理,本作是剧情中一部很不错的作品,值得各位朋友娱乐观看时间1959.后续hz影视还会继续陆续收集关于在短时间内的某几个人的经过最新资源并整合发布,努力让各位影视朋友观看到高清晰画质、速度流畅的视频资源. ^_^ 加油!加油!加油

我要评分

给【关于在短时间内的某几个人的经过】打分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐

猜你喜欢

  • 正片 10.0

    头号人物(粤语版)

    对于新闻记者来说,每一次赶往新闻现场都是一次同行间的赛车比赛。《香港日报》的老记者阿苦(周华健 饰)浸淫行业多年,这天却因为采编不力被主编痛批。同日,从美国留学归来的新丁记者Peter王(吴彦祖 饰)到报馆报到,主编顺势将Peter塞给阿苦

  • HD中字 7.0

    青少年

    查理兹·塞隆,帕特里克·威尔森,科莱特·沃夫,伊莉莎白·里瑟,路易莎·克劳瑟

  • 正片 8.0

    米尔克

    西恩·潘,乔什·布洛林,詹姆斯·弗兰科,迭戈·卢纳,埃米尔·赫斯基,艾丽森·皮尔,丹尼斯·欧哈拉

  • 更新HD国语 8.0

    蒙面人

    1911年4月,广州黄花岗起义失败,清政府开始大肆搜捕革命党人。海城作为广州通往内地的重要关卡,随着大批清廷密探的到来,也变得情势紧张起来。夏至上午,柳晚晴在海城医院得知自己怀孕。她欣喜地接通了丈夫...

  • 正片 4.0

    血观音 血觀音

    《血观音》描述在女人组成的棠府里,住着3位不同世代但一样懂人心的女性,由棠夫人(惠英红饰)主持大局,穿梭权贵间,靠着高超手腕与柔软身段,在复杂的政商关系中生存取利;个性如刺猬般的大女儿棠宁(吴可熙饰)为求母亲肯定,勉力配合;乖巧的小女儿棠真

  • 超清 7.0

    杜兰餐馆:黑色传奇

    Tom Sizemore plays Jack Durant, a dynamic and dangerous gentleman who runs the most famous steakhouse in the city. He ca

  • 正片 2.0

    短板

    兰道尔·朴将首度担任导演,执导路边风景影业新片《短板》。该片改编自艾德里安·托米恩创作的同名漫画,托米恩也将为该片撰写剧本。原著漫画聚焦旧金山湾区的三个年轻亚裔美国都市人——Ben Tanaka、Miko Hayashi与Alice Kim

  • 更新HD 6.0

    法医秦明之雨中协奏曲

    该片讲述了法医秦明(应昊茗饰)与热血刑警林涛(唐振超饰)组成的黄金组合携手屡破要案的故事,故事一波三折,破朔迷离。

相关推荐

  • 更新HD 2.0

    某一天2017

    因為妻子過世而沉浸在哀傷中的保險業務員李江洙(金南佶飾),接下後輩的車禍理賠業務來到醫院探訪被車撞成植物人的被保險人微笑(千玗嬉飾),發現她沒有家人只有朋友,但好友不願意簽下和解書,所以讓保險公司感到壓力。 在醫院處理案件的李江洙,卻突然看

  • 更新HD 4.0

    非常公寓

    麦克斯(文森特?卡塞尔 Vincent Cassel 饰)和女友就要步入结婚的殿堂,他却意外地看到失踪了的前女友丽萨(莫妮卡?贝鲁齐 Monica Bellucci 饰)。往事一幕幕闪回:他们曾经是甜蜜的一对,却因为没有转交到丽萨手中的一封

  • 更新HD 1.0

    距离

    名为“真理的箱舟”的邪教集团在东京的自来水源里投放病毒,致使上百人死亡,近万人受到伤害。在此之后,投毒的五名主犯被教众杀害,教主亦自杀身亡。该事件轰动一时。三年后,当初四名主犯的亲属来到“真理的箱舟”位于山中的遗址,扬撒骨灰,祭奠亲

  • 更新HD 10.0

    希望生长的地方

    本片讲述Kristoffer Polaha饰演的棒球运动员因为个人问题,遗憾地结束了职业生涯。沮丧的他意外结识了在当地杂货店工作的小伙儿。慢慢的,他与这位患有唐氏综合症但乐观善良的打工仔成为朋友,并在他的帮助下,日渐走出人生低谷。

  • 更新HD 6.0

    生死之间

    暂无简介

  • 更新HD 3.0

    三峡人家

    该影片讲述三峡移民后代的故事,通过两个儿童(一个留守、一个移民)不同的视角,在寻访故乡的神秘旅途中发生了一系列惊险而有趣的故事,展现了古老三峡的巨变,表达了三峡移民后代怀念家乡、关心家乡发展的心情,通过旅游发展的角度,向世界展现了三峡工程和

  • 更新HD 10.0

    奶酪店

    赵小雅今天早早关掉了面包房,骑车去了女儿学校,一个业务员摸样的青年把一张订有名片的装饰公司宣传单悄悄塞入面包房门下。常青陪着赛琳那逛商场,电话响起,常青犹豫后接了起来,赛琳那询问后知道今天是常青女儿的学校为了高考报志愿而开家长会,可

  • 更新HD 5.0

    一个父亲的寻肝之路

    费拉兹、梅里姆和他们十岁儿子阿齐兹在去往南部国家度假的途中遭遇枪战,儿子被子弹误伤。阿齐兹急需肝脏移植,这不仅将夫妻二人的生活完全打乱,而且揭开了一个埋藏许久的秘密。阿齐兹能活下来吗?费拉兹、梅里姆二人的夫妻关系又将如何呢?

  • 更新HD 5.0

    小区来了新主任

    夏宁大学毕业后被分到居民小区做居委会主任工作,她刚一来就遇到了一连串令她头痛且措手不及的工作。孤寡老人她要管、失足青年她要管、家庭纠纷邻里不和她都要管,更麻烦的是小区旁盖大厦遮了居民楼的阳光她也要管。面对各种各样的困难与阻力,夏宁用自己的热

  • 更新HD 4.0

    修道院怪案

    The girls of St Lucia Convent are dying mysteriously—and their deaths may be related to a student suicide committed year

  • 更新HD 7.0

    蜃楼谜香

    国舅郑衍,为争下皇帝的“妙人”的名号,强约段岚比试。不料一场轰动天下的斗法,却突生奇变。斗法当夜,郑衍殒命国舅府;段岚中迷药昏头涨脑。这一回机巧百出的段岚,能否再度于嬉笑挥洒间,破解奇案,让凶手,滚出来!?

  • 更新HD 1.0

    翩然而至

    超人气少女原菜乃华映画初主演,90后新锐导演酒井麻衣的幻想映画作品,关于子役成长为女优的故事,松井玲奈,吉田凜音共演。

共  条 “关于在短时间内的某几个人的经过” 影评

影视评论

神马影院欢迎在神马影院_看不卡的影视,最新全集网电影免费在神马影院看

Copyright © 2021 www.jhqcn.com All Rights Reserved

晋ICP备09034569号

观看记录
    复制下方链接,去粘贴给好友吧: 《关于在短时间内的某几个人的经过》https://www.jhqcn.com/movie/121434.html